I chose this shot because it is very characteristic of a "femme-fatale" shot in film noir. First notice the background furnishings in the house; they are ornate and imply wealth and some extravagance. This suggests that Miss Deitrichson surrounds herself with expensive things because she has a certain vanity she must keep if she is to be a successful con-woman. Also, notice the lines in this shot; the wall design, window blinds, desk, and carpet all form horizontal/diagonal lines that point towards Miss Deitrichson. This combined with her being in the dead center of the frame assures the viewer that she must be and is the center of attention. She is drawing you in to her act with the extravagance and her deceiving fake tears, this is characteristic of the femme fatale character trying to fool you to seek her own ends. However, behind her act and her big affront of beauty and wealth and fake emotions, lies her dark and evil intentions. This is characterized by the stark shadow on the wall behind her on the right side of the frame; while she is the center of attention and the frame, there is always an inescapable shadow lurking behind her.
Great comment about the shadow, Alex. Here's a question, though: can you provide some context from this scene in the film? This is actually when she starts to plot/think about how she can use Walter for her evil plans. This might help your reader get a better sense of the impact of this moment in the film.
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